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Our Top Album of the Year: Rosalía's Lux Secures the Premier Spot.

At first glance, this album might appear more like an arduous academic challenge than a new pop album from an artist who just had a previous single was a collaboration with a global K-pop icon. Split into four separate parts and performed in thirteen tongues, it is a head-spinning symphonic work that delves into female mystique, religious transcendence, and corporal change, often via the perspective of different saintly figures. The end of a romance—a topic treated with raw honesty on another major 2025 album—soars skyward on this record, carried by the lush presence of a full symphony orchestra and input from a Pulitzer-winning songwriter within an extensive list of collaborators. The pure daring alone makes the work of contemporary artists look rather small.

Rising Above Academic Pretense

That this album manages to transcend overly academic chin-stroking is nothing short of miraculous, and sole credit belonging to the artist. Although it's not her first album to alchemize historical sounds with the present, the scale are far higher on Lux, and the tightrope walk far more dramatic. The element that really elevates this fourth release, beyond its complex tunes, rich compositions, and engrained theatricality, is a core spirit of playfulness. Similar to the iconic Björk during her height, you find a wondrous quality to the vocalist's voice that pulls the listener up in its tornado. Even when she is breaking hearts in two, you still desire to be alongside her for the ride.

A Prime Example of Joy

That exuberant energy shines brightly on the stunning piano-led ballad inspired by Saint Clare. It luxuriates in a string-drenched whirlpool over more than four minutes. Then, all the music drops silent, and we hear a spontaneous laugh and a declaration prior to a comically over-the-top string crescendo crashes in with comedic impact. The song immediately shifts into the frenetic track driven by galloping strings, an imposing choral group, and a cameo appearance from the artist herself.

"The magic with Lux lies in the listener rarely exactly understand—or even wish to know—what it is going next."

Almost each song finishes in a totally distinct place than where it began. A track explores the fleeting nature of celebrity with a featherlight orchestration before disintegrating into digital cacophony. Another, a cut echoing her earlier trap-infused work begins off moody and sinister, featuring menacing beats, before sudden traditional handclaps and a heavenly chorus arrive to soften its rough edges.

The Bridge Of Experiment & Accessibility

Another crucial achievement of the album is straddling the line between bold experimentation and broad accessibility. It is no surprise that the album has achieved the artist's first work to break into the Top 5 of key markets: at its core a collection of utterly undeniable hits. A song sung primarily in English swells on a refrain that feels to collect increasingly infectious hooks as it spins skyward. This trick is echoed on another expansive track that expands and contracts, weaving multiple tunes as a complex weave.

  • A dance-infused song seduces with its playful, theatrical drama and an anthemic chorus.
  • In its words, it shares the pop culture honesty of other breakup songs, lambasting a former lover labeled an "psychological terrorist".
  • Throughout the album, the singing have a sharp smile, akin to a fairy-tale figure hiding a knife: "Gold medal in being a scoundrel / You have won the trophy of disappointment."

An Opulent Feast for the Soul

This album represents popular music on a grand scale, a hungry reach for high artistry amid of looming artificial blankness. It eschews solipsism for glorious transcendence, creating a dramatic drama that masterfully manages its own inherent excess. This is a deep well of buried treasure that requires time to fully mine but never feels like hard work. While other big releases of the year seemed like a meager meal, this record offers a lavish banquet where the guests around the table, perhaps intoxicated on sacred wine, flit between conversations about ancient saints, the profound sensation of soul-shattering grief, and common stories about useless partners. It is a contemporary musical from music's truly endlessly inventive practitioner.

Written by

Tiffany Lewis

Interieurontwerper en trendwatcher met een passie voor duurzaam en esthetisch design.

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